当代杂技音乐已步入导演总体构思下,进行创作的新阶段,乐曲要求具有民俗性的同时,还需具有时代感,还要求乐曲不仅能与演员的表演技艺巧妙结合,还能激发演员内心的情去共同塑造形象。音乐的表现力已不再是表面的情绪、节奏的配合和简单的烘托气氛。而是根据技巧内涵生发出的一种韵律美、和谐美,统一美。 现代音响虽是一些器材,但它是经过科学设计将这种韵律美——乐队的再创造升华到更理想的层次来为杂技表演作奉献的。它不仅为音乐增色也为杂技表演添美。在杂技综合艺术中它独挡(听觉艺术)一面,对杂技内涵的表现、导演意图的展示、高难技巧的烘 Contemporary acrobatics music has entered the director’s overall concept, the creation of a new stage, the music requires a folklore at the same time, also need to have a sense of the times, but also requires the music not only ingenious combination of performers with the performing arts, but also inspire actors Love together to create the image. The expressiveness of music is no longer the surface of the emotions, rhythms and simple contrast atmosphere. But a rhythmic beauty, a harmonious beauty and a united beauty issued according to the connotation of skills. Although modern audio equipment, but it is through scientific design will be the beauty of this rhythm - the band’s re-sublimation to a more desirable level to perform for acrobatic performances. It not only enhances the music but also acrobatics. In acrobatics integrated art it alone (auditory arts) side of the acrobatic intension of the performance of the director’s intent, hard skills