哈罗德·品特的《回家》自1965年上演以来一直备受评论界关注。剧中人物的行为动机充满不确定性,令人费解。本文探讨剧中人物的复杂性,指出麦克斯一家人缺乏有效的沟通和交流,只是住在一起的熟悉的陌生人而已。此外,针对有的评论认为剧中的回家是指露丝回家的观点,本文论证《回家》的真正主题是反映现代人无家可归的精神状态。 Harold Pinter’s “Go Home” has received much attention from critics since its debut in 1965. The motives of the characters in the play are full of uncertainty and puzzling. This article explores the complexity of the characters in the play, pointing out that Max’s family lacks effective communication and communication, just a familiar stranger who lives together. In addition, according to some comments that the return of the play refers to the view that Ruth returns home, this article argues that the real theme of “going home” is to reflect the mentality of homelessness of modern people.