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二胡作为一件具有代表性的民族乐器,它的音乐表现力与音色是它自身的魅力所在。它那近似人声的音色正符合中国人对“近人声”的音色审美观,而这贴近人声却又能在某些方面超越人声的多变的音色正是二胡艺术从本质上体现出来的美。本文就二胡的音色问题进行了一番浅显的探析。
Erhu as a representative of national musical instruments, its musical expression and timbre is its own charm. Its approximate vocal tone is in line with the Chinese aesthetics of timbre for “near-human voice,” and this changing vocal tone that is close to human voice but can in some ways transcend human voice is precisely the erhu art On the beauty reflected. This essay on the erhu’s tone of color made some simple analysis.