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本文分析了当代中国摄影师张立洁的作品中纪实摄影与传记的形式关系与实践。通过考察早期医学照片到20世纪八九十年代改革开放时期艺术家与业余人士所拍摄的照片,探讨了中国纪实摄影的发展历程:张立洁等中国摄影师重新使用摄影进行再现传主的传记性描述,这种模式将摄影作为记录社会的工具。当代中国纪实摄影者从纪录患病的他者,变为体现对病人的人文关怀,这一转变表明摄影者们通过还原摄影对象的个体性并强调摄影师的主体性,用纪实摄影这种类型解决与医学相关的问题。本文最后提供了张立洁《罕见病患者》系列摄影作品中的4张照片,并且用摄影者本人的图片说明来解释纪实摄影与作为竖立形象的传记之间的关系。
This article analyzes the formal relationship and practice of documentary photography and biography in the works of contemporary Chinese photographer Zhang Lijie. By examining the photographs of early medical photographs taken by artists and amateurs during the reform and opening up in the 1980s and the 1990s, the course of the development of documentary photography in China was discussed: a biographical description by Zhang Lijie and other Chinese photographers who re-used photography to reproduce the Lord, This model uses photography as a tool to document society. Contemporary Chinese documentary photographers, from recording the sick other to humanistic concern for the patient, show that by means of restoring the individuality of the photographer and emphasizing the subjectivity of the photographer, the photographer can use the type of documentary photography Solve medical problems. At the end of this article, we present four photographs of Zhang Lijie’s “Rare Diseases” series of photographs and explain the relationship between documentary photography and the erection as an erection with the photographer’s caption.