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具有艺术史意义的实验水墨实验水墨是90年代中后期随着世界一体化、经济多极化而逐渐成熟并成为中国与经济发展相应的多元文化中的一元,是中国现当代文化发展过程中的产物,也是后现代文化的产物,更是中国水墨自在、自为、自律的产物。它是经近现代西方“表现论”的催化,超越了近代中国“再现论”隔绝历史的断层,又找回了中国传统“自然论”根基的当代表达。
Experiments with artistic significance in the history of ink and wash ink in the mid and late 90s with the world’s integration, economic multi-polarization and gradually mature and become China and economic development corresponding to the pluralism of the culture is the development of modern and contemporary Chinese culture Products, but also the product of postmodern culture, but also the product of Chinese ink free, self-discipline. It has been catalyzed by the modern Western theory of “representation” and has surpassed the fault of history isolated from modern China in its “theory of reproduction.” It has also retrieved the contemporary expression of the traditional Chinese foundation of “nature”.