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1986年的《乌龙山剿匪记》与广大观众见面以来,近30年来的我国电视剧艺术市场先后出现了一系列反映剿匪题材的电视连续剧。这些电视连续剧或以历史真实作为基点,以非常写实性的影视语言为观众展示了剿匪战斗的艰苦卓绝;或者是从史事与想象互为融合的角度出发,对整个剿匪历史进程予以逼真性的艺术展示。本文以《战士》为考量对象,通过它对于历史真实的艺术反映和对真实程度的有力彰显的理性探究,辨析其在这类题材的电视连续剧中所具有的重要意义和应当汲取的审美价值。
Since the “Wulong Mountain Banditry” in 1986, which has met with a large audience, the television drama art market in the past 30 years has successively witnessed a series of TV series that reflect the theme of banditry. These TV series or historical truth as the starting point, in a very realistic film and television language for the audience to demonstrate the anti-bandit warfare arduous; or from the perspective of history and imagination of each other integration, the entire process of the realism of the bandits to be realistic Art show. This article regards “soldier” as the object of study, through its rational inquiry into the historical realism and its powerful demonstration of reality, and analyzes its significance and the aesthetic value that should be drawn in the TV series of such themes.