蚕女故事作为一则寓言体民间传说，是一篇根据经验联想和视觉联想而虚构的文学文本，它包含着故事创作时代的文化因子。从生活层面、文学层面和道德层面看，它有着丰富的文化内涵，反映了一个文学母题：即对征夫和思妇感情世界进行探索的动机。这实际上是一个中国式“原罪”的原型：蚕女因犯有居家不织、因情而动、背信弃义三大罪行，从而导致了“女化为蚕”、永远纺织的必然结局。 As a fable folklore, the silkworm female story is a literary text based on the experience association and visual association, which contains the cultural factors of the story creation era. From the perspective of life, literature and morality, it has rich cultural connotations and reflects a literary motif: the motive of exploring the world of conspiracies and the thinking of the woman. This is actually a Chinese prototype of “original sin”: the silkworm girl is guilty of having three major crimes of non-woven at home, moving in love and perfidious behavior, which has led to the inevitable outcome of “feminizing silkworms” and forever spinning.