论文部分内容阅读
近年来,依托国内各类戏剧邀请展、戏剧节,中国观众认识了波兰戏剧,感受到了波兰戏剧的批判精神与创新激情。然而,这些认知更多停留在舞台的幻象之上、导演的创造之中,对于波兰戏剧的文化因袭、艺术传统、现实境况乃至生存机制,中国观众仍旧是陌生与疏远的。如今的波兰戏剧在关注什么?它们与观众的关系如何,又是怎样与当下发生关联的?带着一系列疑问,笔者走进了对话·弗罗茨瓦夫国际戏剧节,希望通过戏剧节的所观所思,窥探戏剧之于一个国家、一座城市的意义。
In recent years, relying on domestic various types of drama invitations and theatrical festivals, Chinese audiences have known Polish theater and felt the critical spirit and passion of innovation in Polish theater. However, these cognitions stay more on the illusion of the stage. Among the directors’ creation, Chinese audiences are still unfamiliar and alien to the cultural assault, artistic tradition, reality and even survival mechanism of Polish drama. Nowadays, what are the concerns of Polish drama? How do they relate to the audience and how they relate to the present? With a series of questions, I entered the dialogue · Wroclaw International Theater Festival, hope through the Theater Festival Think of what it takes to spy on the significance of drama in a country and a city.