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原想好好写一篇文,谈一谈阿沃·派特的音乐。但坦率地说,派特的音乐总是令我不太愉悦。这感觉就如同读村上春树,文字很美,但让人不舒适。至少是,让我。最终选择从《悲歌》(Lamentate)入手,也是出于偶然的机缘,在音响之前,我先遇到了这张专辑中的两页注释。得知此曲灵感源于一件巨型雕塑作品后,好奇心驱使我通过网络搜寻到了这件奇特的艺术品。从外形看它应该属于管状,通体呈血红色,横向长150米,高度相当于十层楼,于2002年十月起在伦敦的泰特现代艺术馆(Tate Modern)的涡轮大厅(Turbinenhalle)进行了为期半年的展出。雕塑造型抽象,主体结构由三个大钢环组成,其中底部的钢环悬浮在展馆中央一座桥的上方并与之平行,另两个则在两侧均呈垂直状,再由拉伸的PVC膜将它们连为一个整体。这件艺术品名
Originally wanted to write a good article, talk about Alva Pat’s music. But frankly, Pat’s music always makes me less than pleasant. This feeling is like reading Haruki Murakami, the text is beautiful, but people uncomfortable. At least, let me. The final choice starts with Lamentate, also by chance, and before the sound, I first encountered two notes on this album. After learning that the song was inspired by a giant sculpture, the curiosity drove me through the internet to find this peculiar piece of art. From the appearance it should belong to the tube, the body was reddish, horizontal length of 150 meters, the height of the equivalent of ten floors, in October 2002 at the Tate Modern in London Turbinenhalle (Tate Modern Turbine Hall) For a period of six months on display. The sculpture has an abstract shape. The main structure consists of three large steel rings. The steel ring at the bottom is suspended above and parallel to a bridge in the center of the exhibition hall. The other two are vertical on both sides, PVC film to them as a whole. This art name