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小提琴演奏作为西方艺术发展中的重要内容,是西方艺术水平提升的见证,在长期的历史发展过程中逐步形成了具有西方国家特色风格的意大利小提琴学派、德国小提琴学派、法国-比利时小提琴学派,这些学派将小提琴演奏技能与本土的民族文化进行有效地融合,从而实现了小提琴学派发展的特色化。而在长达几百年的发展过程中,西方小提琴学派的演奏风格和技能以及相关的内容通过传播者和学习者逐渐传入中国,成为影响我国传统艺术与现代艺术发展的重要元素。本文以西方小提琴学派对中国的影响分析为契机,来对我国小提琴演奏的发展进行研究与探讨,以丰富小提琴演奏的深入发展。
As an important content in the development of western art, violin performance is a testimony of the improvement of western art level. Gradually, it has formed the Italian violin school, the German violin school and the French-Belgian violin school with the characteristics of western countries in the course of long-term historical development School of violin playing skills and native culture to effectively integrate, thus achieving the development of violin school features. During the several hundred years of development, the style and skills of western violinists and their related contents have gradually spread into China through communicators and learners, becoming an important element that affects the development of Chinese traditional art and modern art. This article takes the analysis of the influence of western violin school on China as an opportunity to study and discuss the development of violin playing in our country in order to enrich the deep development of violin playing.