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进入新世纪以来,市场化观念逐步波及到电视领域,并对中国纪录片的制作机制、流程和形态产生广泛而深远的影响,甚至开始颠覆传统的纪录片观念。这一时期的文献纪录片相对于上世纪的个人、小群体和行业而言具有更为宽泛的外延和意识,极具多元化意味。当然,在铺天盖地而来的大众文化影响下,无论是时代需求的宏观层面,还是自身发展的微观层面,文献纪录片都应该走向社会大众,通过历史叙事还原国家发展和民族记忆,
Since the beginning of the new century, the concept of marketization has gradually spread to the field of television. It has had a profound and far-reaching impact on the production mechanism, process and form of Chinese documentaries, and even started to subvert the traditional documentary concept. Documentaries of this period have a much broader range of extension and awareness than the individuals, small groups and industries of the last century. Of course, under the influence of the overwhelming popularity of mass culture, both the macro level of the demand of the times and the microcosmic level of its own development, the documentary films should all go to the public and restore the national development and national memory through historical narration,