抚州现代采茶戏《残霞》可以称得上音乐服装无一不美,唱腔台词无一不精的舞台艺术力体。采茶戏作为一个由民间小调发展而来的民间小戏,反映的多是市井乡村的民间琐事,少有对上流社会宏大事件的演出创作,但《残霞》这部采茶现代戏却迈出了可喜的一步。这是一个可贵的尝试,新颖的探索。一、视角独特从国民党的太太们组成的一个公馆的“太太王国”这一独特视角切入,并以太太小集体 Fuzhou modern tea-picking drama “residual Xia” can be called all the beauty of music and costumes, singing lines are all essential stage art power. Tea-picking opera, as a folk opera developed by folk minor, reflects mostly the folk trivia in the well-to-do villages and has few performances on the ambitious events of the upper class. However, the modern drama of “picking shady” is a welcome move step. This is a valuable attempt, a novel exploration. First, a unique perspective from the Kuomintang martyrs, a mansion, “wife of the Kingdom” a unique perspective, and the wife of a small group