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琵琶作为一种重要的民族乐器,对于我国的戏曲演奏有着很重要的作用。从隋唐时代发展至今,琵琶已经具备了轻宽的音域、优雅动听的音色以及变化多端的演奏技法。因为与其他乐器相比较而言琵琶的音色没有很强烈的风格色彩,因此几乎在所有的戏曲伴奏中都有它的身影,本文依据作者经验,结合琵琶的特色以及地方戏曲的伴奏规律等理论依据,对琵琶在戏曲伴奏中的和谐表现加以分析和研究。
As an important national musical instrument, pipa plays an important role in Chinese opera performance. Since the Sui and Tang dynasties’ development, the pipa already has a light and wide range of sounds, graceful sounds and varied playing skills. Because compared with other instruments, the pipa’s tone is not very strong style, so almost all of the opera accompaniment has its shadow, this article based on the author’s experience, combined with the characteristics of the pipa and the local opera accompaniment rules and other theoretical basis , To analyze and study the harmonious performance of the lute in the accompaniment of the opera.