《清风亭》是麒派艺术代表剧目中一出独具异彩的戏。它既不同于某些描写达官重臣的《萧何月下追韩信》《徐策跑城》等戏,也不同于描写义仆家人的《一捧雪》《义责王魁》等戏。它描写的是中国封建社会中,居于社会底层的一对贫老无依的劳动人民。麒派艺术以震撼人心的笔力,朴实无华的白描手法,表现了这对老人的悲惨命运。每当我看这戏的时候,眼前总闪现出我曾经遇见过的一对老人。解放前,在我住处的附近,我常看见一对年约七十上下的老夫妇,他们每天清晨推着一辆 “Breeze Pavilion” is a unique representative of the Yee art representatives in the show. It is different from some portrayals of the official minister, “Xiao Ho get under the chase Hansen,” “Xu strategy city” and other plays, but also different from the description of the family members of the “snow” “Wangfu responsibility” and other plays. It describes the feudal society in China, living in the bottom of society, a group of impoverished working people. Yee sent art to the heart-stirring force of the pen, plain white sketching practices, showing the tragic fate of the elderly. Whenever I look at this show, I always see the eyes of an old man I have ever met. Before the liberation, near my place of residence, I often saw a pair of old couples who were about seventy years old and they pushed one each morning