文艺创作、写剧本,大多都是文人所为吧?洽商生意,自然是商人必做之事。可在香港,出奇的这两回事竟有相同之处!一位剧作家林先生说,想与观众沟通,首先要懂得创作的规则。在香港搞创作往往没有一个既定的蓝本,边写边拍,做了这场戏就得马上写下一场戏的剧本,而且更改很多。林先生笑说,身为香港的创作人,最“好玩”是创作未到结尾那一刻,仍不知道结局如何,据说发生这种“未知数”的情况,通常是由于老板不打算玩下去不愿继续投资了。这种现象在香港的创作界比比皆 Literary and artistic creation, writing scripts, most of them are literati for it? Business negotiations, of course, is a must-do business. In Hong Kong, surprisingly these two things have in common! One dramatist, Mr. Lin, said that to communicate with the audience, we must first understand the rules of creation. In Hong Kong to engage in creative work often do not have an established blueprint, while writing and patting, doing this scene will immediately write a play script, and change a lot. Mr Lam laughed that as a creator of Hong Kong, the most “fun” was the moment when the creation was not yet completed and the outcome was still unknown. The occurrence of such “unknowns” is usually said to be due to the unwillingness of the boss to play Continue to invest. This phenomenon in Hong Kong’s creative community abound