我的水墨作品所表现的多元的水墨语言,在其语义上的转化犹如以水墨媒介来体现出运用墨的本源性,强调墨之间的内容观。其中的内容扩张,源自于哲学观对于墨术的核心取向——墨受之于天。我的感应和视觉体验的方式,对于墨的取意,是因为水墨具有很明显的文化属性、独特性、身份性和历史记忆。同时墨是有形的,也可以是无形的。墨有深度,高度和广度。它也是一种总结和凝缩。墨也是光,具有体量,似有反射,也是一种物质表面。墨 The pluralistic ink and wash language represented by my ink works semantically transforms into the origin of the use of ink in the ink media and emphasizes the content view of ink. The expansion of content stems from the core orientation of philosophical view to the art of ink. My way of sensing and visual experience is about ink because ink and wash has obvious cultural attributes, uniqueness, identity and historical memory. At the same time ink is tangible, it can be intangible. Ink has depth, height and breadth. It is also a summary and condensed. Ink is also light, with volume, seems to be reflected, but also a material surface. ink