人们在过多地关注了表现主义、新表现主义以及其后的诸多更加前卫的“主义”之后,在“见怪不怪”的心态下有进入麻木状态的危险。好在世纪末来临,人们习惯并渴望“回顾”,发现在这个漫长又短暂的世纪中发生了太多的事情,它实际上极大限度地包容了具象和抽象,其面貌还是蛮丰富多姿的。德意志国家美术馆将其主楼的几千米展线给了活跃于上世纪末、本世纪初的,有着后印象主义强烈个性色彩的画家柯林特,即显示出这种“回顾”过程中对世纪美术的重新审视与定位。 自有美术院校以来,它便越来越多地承载起美术教育的使命。时至今日,随着美术院系的增多,几乎每一位艺术家都会与之发生或多或少、或直接或间接的联系。同时,美术院校课程的设置、美术分科的方法以及提倡什么与反对什么等等,很大程度地决定了同时代艺术家的知识结构甚至审美标准,其广泛又深刻的影响,是无论哪个美术机构都无法与之相匹敌的。所以说,了解或研究美术院校的教学体系将有助于整体把握某一时代美术的共性特征。这不失为一条追本溯源的捷径。 艺术的发展从未离开过科学和技术,更何况科技的进步从未像现在这样日新月异,无视科技的发展在今天已成为不可能,所以艺术上的科技派的形成与壮大也就是自然而然的事情了。旅美中国画家蔡文颖的电动感? After paying too much attention to expressionism, neo-expressionism, and many of the more avant-garde “consensuses” there is the danger of numbness in the “weird” mindset. Fortunately, at the turn of the century, people are accustomed and eager to “retrospect” and discover that too many things have happened in this long and short century. In fact, it has, to a great extent, embodied the images and abstractions and its appearance is quite rich and varied . The National Art Museum of Germany gave a few kilometer of the main line of its main building an active part in the end of the last century. At the beginning of this century, Colinte, a painter with a strong impression of post-impressionism, showed that this kind of “retrospective” Art Review and Orientation. Since its own art schools, it has increasingly assumed the mission of art education. Nowadays, with the increase of art academies, almost every artist will have more or less direct or indirect contact with them. At the same time, the setting of art academies and schools, the method of art subdivision and what to advocate and what to oppose, to a large extent, have determined the knowledge structure and even the aesthetic standards of contemporary artists. Their extensive and profound influence is that no matter which art institution Can not match it. Therefore, to understand or study the teaching system of fine arts colleges will help to grasp the general characteristics of art in a certain era. This is a shortcut to trace this source. The development of art has never left science and technology. Moreover, the progress of science and technology has never been more advanced than it is now. Ignoring the development of science and technology has become impossible today. Therefore, it is only natural that the formation and expansion of the art-science school are natural . Electricity sense of the Chinese artist Cai Wenying in the United States?