文明的进程同时会给人们带来诸多无谓的精神的束缚,“非诗能穷人,穷者诗益工”,苏东坡早就在阐述物质文明与诗画艺术之间的悖论关系。中国历史上早就在魏晋时出现了诸多“日夜纵酒,不亲庶事”的名士,后莫能及,历史往往在不断地复制。在19～20世纪之间的巴黎,成为一个鼎盛的艺术殿堂:印象派、野曾派、立体主义、达达主义……让璀璨的星辰 At the same time, the process of civilization will bring many boundless spiritual bounds. “Non-poetry can be poor and poor poet work,” and Su Dongpo has long elaborated the paradoxical relationship between material civilization and poetry and painting. In the history of China, there were many famous celebrities who were “indulging in day and night drinking wine and not having common affair” in the Wei and Jin Dynasties. History was often duplicated after Mo Wei. In the 19th and 20th centuries, Paris became a thriving arts center: Impressionists, Yeosunists, Cubism, Dadaism ... Let the stars