论文部分内容阅读
一“新帖学”形成之历史情境任何一种艺术形式的创作与发展都离不开时代这个大背景,新帖学的形成,同样离不开当前大的社会背景。“二王”一脉传统的帖学书风,经历了唐宋元明清历代书家的传承和演变,呈现出了书风相似而审美倾向各异的面貌。从清末到民初一百多年来碑学兴盛,帖学开始衰微。到了民国初期,尤其是在上海,康有为、吴昌硕等书坛大家的崛起,而在碑学
The historical situation of the formation of a new “post” “Two kings ” a traditional style of calligraphy book, experienced the inheritance and evolution of the calligraphers in the Tang, Song, Yuan, Ming and Qing dynasties, showing a similar style of books and different aesthetic tendencies. From the end of the Qing Dynasty to the early Republic of China more than 100 years of flourishing learning, postscript decline. To the early Republic of China, especially in Shanghai, Kang Youwei, Wuchang Shuo and other books of the rise of everyone,