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“解”作为我国古代音乐史上的一个概念或术语,对它的理解,可以说经历了一个由含混到明晰的过程。 最早对“解耕的阐释,见于杨荫浏《中国古代音乐史稿》。书中,杨先生在征引了大量史料的基础上,将“解”的音乐特点归结为: 1.“解”在速度上一定是加速的;它不是慢曲,而是‘急遍’。 2.它在情调上,不是‘瞻’、‘雅淡’或是‘清雅’的,而可能是强烈、奔放、热闹的;若依后来所用‘文曲’、‘武曲’等名词来分类的话,则它不是文曲而是武曲。
As a concept or term in the history of ancient Chinese music, “solution” can be said to have undergone a process from ambiguity to clarity. The earliest interpretation of “solving cultivation” was found in Yang Yin-liu’s “Draft History of Ancient Chinese Music.” In his book, Mr. Yang, on the basis of drawing a large amount of historical data, attributed the musical features of “solution” to: 1. “Solution” It must be speedy; it’s not a slow song, but a ’rush’. 2. It’s not in the mood, looking, elegant, or elegant, but may be intense, unrestrained, lively ; If later by the ’Wen Qu’, ’Wu Qu’ and other terms to classify, then it is not a text but a song.