歌剧及影视《刘三姐》文本隐含着一个重要的文化现象:“刘三姐”曾作为主流话语的“他者”和差异,不断被简化和提炼,在新中国成立初被纳入国家主流意识形态话语并成为为阶级斗争的范本定型下来,“刘三姐”符号表征从民族民间上升到国家政治,背后是一种话语权力在起作用。 The text of “Third Sister Liu” in opera and film implies an important cultural phenomenon: “Third Sister Liu” “The Other” and differences once used as mainstream discourses are continually being simplified and refined, and have been incorporated into the mainstream of the state since the founding of new China The ideological discourse has become a model for the class struggle. The symbolic representation of “Liu Sanjie” has risen from a national folk to a national one. Behind it is a discursive power at work.