“花非花,雾非雾,夜半来,天明去。来如春梦不多时,去似朝云无觅处。”白居易的诗点出了浸润于画家作品之中的氛围。管伟骏的画中总有一层薄雾缭绕,它模糊了事物的轮廓,使人物身份和物体形象不再变得确切。这层轻纱不仅裹于风景画作品中,也摇曳在画 “Non-flowers, fog non-fog, midnight, dawn to come like a small spring dream, to look like the cloud no hope. ” Bai Juyi poetry out of infiltration in the artist’s work atmosphere. There is always a layer of mist in the painting of Guan Weijun, which obscures the outline of things so that the identity of the person and the image of the object no longer become definite. This layer of gauze is not only wrapped in landscape paintings, but also swaying in the painting