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长期以来,我比较关注山水画中“游”与“居”的主题,并期望在创作中表达一种近似于“游”的自由感和审美境界。“游”不单是指游玩、游动,更是画家的审美精神,是悠幽的心态,使画家重心绪多于真实客观的再现,能使画家形成“目识心记”的观察方式,由此也决定了画面的结构方式。近年来,我的创作基本不以原生的山水形态铺陈画面,最终亦不以“可居可
For a long time, I have been more concerned with the themes of ”Travel“ and ”Habitat“ in landscape painting, and I hope to express a sense of freedom and aesthetic similar to ”Travel“ in my works. ”Travel “ not only means to play, swim, but also the artist’s aesthetic spirit, is the Youyou mentality, so that painter focus more than real and objective representation, enabling painters to form a ”mind“. Observation, which also determines the structure of the screen. In recent years, my creation basically does not display the pictures in the form of a native landscape, nor does it end up in ”