林兆华导演今年从慕尼黑请来的《毒》给北京的话剧舞台带来了一个不常见的话题:心理创伤对个人身份认同的冲击。一对离婚六年的夫妇,因为要给死去的儿子迁墓而重聚于墓地,二人的对手戏起于尴尬,立于丧子,成于埋怨,盛于追忆,出于解脱,带着满场观众坐了一趟情感过山车,也不温不火地展现给观众一个人人都可能碰到却没那么容易理清、解决的问题——创伤可能在很大程度上改变一个人;那么面对创伤,我们怎么去重新定义自己呢? The “poison” that Lin Zhaohua directed this year from Munich has brought an unusual topic to the stage of Beijing’s drama: the impact of psychological trauma on personal identities. A pair of couples who have been divorced for six years because of reincarnation at the cemetery to relocate their dead son, the two opponents play an awkward position in grievances. The audience took a ride on the emotional roller coaster and showed it to the audience in an unobtrusive manner. People may encounter but not so easy to figure out and solve the problem - trauma may change a person to a large extent; How do we redefine ourselves when it comes to trauma?