在新疆地区的文化交融史中,内地与边疆在建筑造型、构造上的融合往往由于历史建筑的毁损而更多地呈现出并置的现象,或者是在细节层面上的融合。至今保存在哈密的三座陵寝建筑——七世回王麻扎、九世回王麻扎、盖斯麻扎建于清代晚期至民国时代,生动地反映建筑设计者对建筑造型的选择和“拼贴”建筑语汇的手法。在新疆地区同类建筑中,这三座麻扎的历史地位远远超过了其单体价值,其时代背景更深层地反映了建造技术流传与融合的脚步。 In the history of cultural exchange in Xinjiang, the integration of the architectural form and structure between the Mainland and the frontier is often accompanied by the phenomenon of juxtaposition due to the destruction of historic buildings or the integration at the level of detail. It has been preserved in three mausoleums in Hami - Wang Mazar in the 7th Century, Wangmazar in the 9th Dynasty, and Geismaza in the late Qing Dynasty to the Republican era, which vividly reflected the architectural designers’ “Collage ” building vocabulary. In the same type of buildings in Xinjiang, the three Mazar’s historical status far exceeds its single value, its background reflects the depth of the spread of construction technology and integration pace.