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2016年,是中国电影发展的关键一年。3月份上映的电影《叶问3》被爆出票房造假,引起了人们对中国电影繁荣背后泡沫的关注和反思。电影票房增长乏力、电影口碑不高、原创性不足等问题开始困扰中国电影人,如何拍出既受市场欢迎又能讲好中国故事的电影成为重要命题。电影《我不是潘金莲》的出现确实让人眼前一亮,无论是原著小说作者刘震云对中国社会的细致观察和准确刻画,还是冯小刚导演的独特电影美学和二次创造,都使这部电影令人期待。
2016 is a crucial year for the development of Chinese films. The film “Ip Man 3” released in March was hit at the box office for fraud, arousing people’s concern and reflection on the bubble behind the prosperity of Chinese film. Movie box office growth sluggish, film reputation is not high, lack of originality and other issues began to plague Chinese filmmakers, how to make both welcomed by the market and can tell a good story of China movie become an important proposition. The movie “I am not Pan Jinlian” really makes people shines. Whether it is the careful observation and accurate portrayal of Chinese society by the author Liu Zhenyun, or the unique movie aesthetics and the second creation by Feng Xiaogang, People look forward to