《晚安,妈妈》是美国女剧作家玛莎·诺曼最成功的作品。剧中仅有妈妈泰尔玛和女儿杰西两个人物,杰西告诉妈妈她自杀的决定后,妈妈从难以置信到劝阻,但终究无法阻止杰西走向死亡。细察母女对话中的人称指示语,特别是杰西告知妈妈决定前后的人称指示语的对比,不难发现人称指示语不再是权力、社会地位、距离、亲近与否的表征,而是剧作家书写母女之间深爱的特殊载体。 “Good night, Mom” ​​is the most successful work by American playwright Martha Norman. Only the mother of the two figures, Terma and her daughter Jesse, tells her mother’s decision to commit suicide after her decision to commit suicide. From unbelievable to discouraging mother, Jesse can not stop Jess from going to death. It is not difficult to find out that the personal indicator is no longer a manifestation of power, social status, distance, closeness or not Playwright writing love between mother and daughter special carrier.