论文部分内容阅读
关于“第二种文化意识”的思考──顾黎明绘画作品的时代座标潘鲁生对于８０年代初中期艺术院校毕业的一批青年画家来讲，在心理上所承受的负担并不比中年画家轻松。这是因为，他们是在现代中国美术教育比较保守的时期接受的教育，伴随着纷杂迭起的政治改革和社会各种思潮...
Thoughts on “The Second Cultural Consciousness” ─ ─ The Time Coordination of Gu Liming’s Paintings For a group of young painters who graduated from art academies in the mid-1980s, the psychological burden borne by them is no more than that of middle-aged painters Easy. This is because they are educated in the more conservative period of art education in modern China, accompanied by complicated political reforms and various social trends ...