通过两部作品《春江花月夜》体现了中国古典舞两个不同时期的创作方向。在新时期中古古典舞创作语言的变化上,更多变现为形式上的不断翻新,舞蹈语言形式向着更多的层次和更多的意义挖掘和扩张。与此同时忽略了中国古典舞应以“古典审美”为核心的发展。 Through two works, “Spring Jiang Hua Yue Ye” embodies the Chinese classical dance two different periods of creative direction. In the new era of classical Chinese classical dance creation language changes, more realization of the form of constant innovation, dance language form to more levels and more meaning to tap and expand. At the same time, it neglected the development of classical Chinese dance should be based on “classical aesthetic ”.