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在“国画改造运动”中,李可染通过大量外出写生实践,将山水画的立意提升到了关注现实生活的层面。在当时革命现实主义与革命浪漫主义相结合的社会秩序下,他自觉将红色题材引入到山水画创作中,在画面中建立起革命山水画的视觉秩序。分析李可染山水画视觉秩序的形成过程,对理解李可染山水画艺术的转型与创新具有重要意义。
In “The Movement of Traditional Chinese Painting”, Li Ke-ning raised the concept of landscape painting to the level of real life through his practice of going out to sketch. Under the social order of combining revolutionary realism with revolutionary romanticism at that time, he consciously introduced the red theme into the creation of landscape painting, establishing the visual order of revolutionary landscape painting in the picture. Analyzing the forming process of Li Keran’s visual order is of great significance for understanding the transformation and innovation of Li Keran’s landscape art.