论文部分内容阅读
在当今全球化思潮的冲击下,中国画面临着新一轮的求新局面,虽然这是其发展过程的一个自然的阶段,但确有将西方的创作理念及形式作用于中国画的创作现象,并谓之“创新”。中西两种截然不同的审美取向,使其各自艺术思维的表达方式也不尽相同。如果把这种现象偏面的理解为传统与现代的关系,则混淆了空间与时间的概念。如何不盲从的对待外来的文化艺术,寻求中国画的革新,是今天的画家及理论家们应该理性思考的一个问题。多从文化的角度去分析中西的差别和交融点,终究会走出一条宽阔的大道来。
Under the impact of the current globalized thinking, Chinese painting is facing a new round of new situation. Although this is a natural stage of its development, it does have the role of western creative ideas and forms in the creation of Chinese paintings. Call it “innovation”. The two distinct aesthetic orientations between China and the West make the expression of their own artistic thinking different. If the partial understanding of this phenomenon is the relationship between tradition and modernity, the concepts of space and time are confused. How to treat foreign culture and art without blind obedience and seek the innovation of Chinese painting is one of the questions that should be rationally considered by today’s painters and theorists. From the cultural point of view to analyze the differences and points of convergence between China and the West, will eventually come out of a broad avenue.