论文部分内容阅读
虚实结合是舞台美术创作中的一个重要问题。建国以来,一批优秀的舞台布景设计的出现,例如《蔡文姬》、《霓虹灯下的哨兵》等在这个问题上为我们提供了宝贵的经验。事实证明:正确地理解和处理这个问题,有利于贯彻革命现实主义与革命浪漫主义相结合的创作方法;有利于舞美创作的百花齐放;有利于形成中国气派的社会主义的舞台美术风格。本文试图在理论上对这个问题进行初步的探讨,以期引起大家进一步的讨论和研究。
Combination of the actual situation and the stage is an important issue in art creation. Since the establishment of the PRC, the emergence of a number of excellent stage scenery designs such as “Cai Wenji” and “Sentinels under the Neon Lights” have provided us with valuable experience on this issue. Facts have proved that correctly understanding and handling this issue is conducive to carrying out the creative method of combining revolutionary realism with revolutionary romanticism, is conducive to the flourishing creation of the stage of the United States and the United States, and is conducive to the formation of the socialist stage art style of the Chinese style. This paper attempts to theoretically investigate this issue for the first time, with a view to arousing further discussion and research.