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在“微时代”语境下,摄影艺术比任何一个时代拥有更加广泛的参与人群和关注度,大众影像突破了摄影原有的记录局限,也冲破了专业摄影人的行业垄断,迎来了新的视觉风暴。当下影像不再是单纯的传达信息的手段,而是被赋予了更多的人文意义和时代内涵,成为大众生活和大众文化的有机组成部分。研究当下的大众影像文化,其意义超过了视觉本身。文章着力探讨在科技和社会革新变化下的影像环境中,大众影像的文本解读。作者通过梳理与研究,希望为当代影像研究提供有价值的线索,同时促进大众影像文化的良性发展。
In the context of “Micro Era ”, the art of photography has more extensive participation and attention than ever before. Mass imaging has broken through the limitations of original records of photography and also broke through the monopoly of professional photographers and ushered in A new visual storm. The current image is no longer a mere means to convey information, but is given more humanistic meaning and connotation of the times, becoming an integral part of public life and popular culture. The research of contemporary mass image culture has more meaning than vision itself. The article focuses on the interpretation of the text of mass images in the image environment under the changes of science and technology and social innovation. Through combing and research, the author hopes to provide valuable clues for contemporary image research and promote the healthy development of mass image culture.