在北京人民艺术剧院演出的《蔡文姬》里,李淑君伴唱的《胡笳十八拍》,凄婉动人,为演出生色不少。巳经有人建议灌成唱片,供单独欣赏。李淑君是昆曲演员,她唱得好,是理所当然的。可是饰蔡文姬的演员朱琳在台上的一段独唱,也获得了观众的赞赏。有观众感叹地说:话剧演员居然唱得这样好,真不容易。我还以为请李淑君伴唱是因为演员不会呢! 这位观众的感叹使我想起了一个问题。话剧演员不会唱,好像并不使人感到意外,会唱,倒使人惊奇。这说明我们的话剧演员在人们心目中是只会说话的。记得从前曾看过一次《大雷雨》的演出,瓦尔瓦拉以后台送出柔美的女高音“月光明媚的青春的树林,山坡下等着弹琴的人……” In “Cai Wenji” performed by the Beijing People’s Art Theater, Li Shujun’s “Benedict XVI” with his singing is sad and touching, giving birth to many colors. It has been suggested that irrigation records should be enjoyed separately. Li Shujun is a Kunqu opera actor, she sings well, for granted. However, the actress Zhu Lin, who plays Cai Wenji, won a solo appreciation on the stage. There are spectators exclaimed: drama actors actually sing so good, really not easy. I thought I wanted to sing Li Shujun because the actors would not! The sigh of the audience reminds me of a problem. Drama actors will not sing, it seems not to make people feel surprised, will sing, down surprised. This shows that our drama actors can only talk in the eyes of people. I remember once seen a “thunderstorm” show, Varvara to the background to send soft soprano “moonlight youthful woods, people waiting for the piano under the hillside ...”