世界到底是什么样子,取决于我们观看和倾听世界的模式、速度、技术条件和时空局限。或者说,我们平时看到与拍到的世界,不是全部的真实,只是相对的真实。也许我用漂移的相机拍摄下来的城市鸟瞰,用旋转的相机拍摄下来的火树银花,也很接近它在我心目中的“真实”。从创作上来说,我希望我拍摄到的对象,由表象之外我能感受到的更多的风采和韵味,也就是具象刻画之外,还有一些东方艺术的表现传统,以及意象与抽象的创作空间。在具体的拍摄 What the world looks like depends on the mode, speed, technical conditions and time-space constraints we watch and listen to the world. Or, we usually see and photographed the world, not all of the real, but the relative reality. Maybe I took a bird’s-eye view of the city taken with a drifting camera and the firewood taken with a rotating camera was very close to what it was in my mind. From the creative point of view, I hope that the objects I photograph will come from beyond the appearance I can feel more of the style and charm, that is, the portrayal of portrayals, as well as the traditional expressions of oriental art and the images and abstractions Creative space. In the specific shooting