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观赵净的江南风景油画,让我想起孔子在2000多年前的一声感叹:“逝者如斯夫,不舍昼夜。”不过我的感叹是赵净的艺术,因其对历史变迁中人文景观的关注而同时展示了时间的流逝与永恒的矛盾和冲突,以及这种矛盾和冲突所揭示出来的文化、艺术与人生的意义。正是在此解读的立场上,我觉得赵净的江南油画风景,超越了风景题材的限制而进入到了生命体验的境界;或者更具体地说是赵净通过描绘和营造感动他的江南水乡,表达了他对文化的历史与当代、时间的变易与永恒之间各
View of Zhao Jing Jiangnan landscape painting, reminds me of Confucius more than 2,000 years ago in a loud lament: “deceased, such as Sivu, dismay night and day. ” However, my sigh is the art of Zhao, because of its historical changes Humanistic landscape while showing the passage of time and eternal contradictions and conflicts, as well as the cultural, artistic and life significance revealed by such contradictions and conflicts. It is in this interpretation of the position that I think Zhao Jing Jiangnan oil painting landscape beyond the limitations of landscape themes and into the realm of life experience; or more specifically is the net by Zhao Qing depicts and create moving his Jiangnan Water Village, Expressing his culture of history and contemporary, time change and eternity between