陈白塵同志是广大話剧观众所熟悉的一位剧作家。在他的創作道路上,他以辛辣尖锐的讽刺喜剧和犀利无比的闹剧作品,表現了自己鮮明的創作特色,从《群魔乱舞》(又名《魔窟》)到《升官图》,剧作家通过他的彩笔,以嘻笑怒駡、鞭笞入骨的笔鋒,展示給我們一批批敗类渣滓的丑恶形象:認賊作父,魚肉人民的汉奸特务,攫取胜利果实,五子登科,荒淫无耻的蔣帮大員和反动头子。就是这样,陈白塵同志在抗战时期,以及解放战爭时期的国統区为人民仗义执言,訴說了千百万老百姓的心願,唱出了他們的悲憤,也写出了他們的希望。这次,当东風压倒西風,帝国主义集团日暮途穷,正在作临終前的垂死挣扎的时刻,我們的喜剧作家。 Comrade Chen Bai Chen is a dramatist familiar to the majority of drama audiences. In his creative career, he showed his distinctive creative features with his spicy and sharp satirical comedy and sharp farce works. From the “group magic flurry” (aka “the magic cave”) to “promotion”, the playwright passed him Of crayons, to laugh and curse, whipping into the bone of the pen, showing us a group of ugly images of scum: denounced the thief father, fish people’s traitor spy, grab the fruits of victory, five son Dengko, despicable Jiang Bangda Member and reactionary leader. In this way, Comrade Chen Bai-chen insisted on the righteousness of the people during the War of Resistance Against Japan and during the National Warlord’s War of Liberation. They told the wishes of millions of ordinary people, sang their grievances and wrote their hopes. This time, as the east wind prevailed over the westerly, the imperialist group was on a poor footing and was at a time of dying before its deathbed, our comic writer.