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在这次爱丁堡前沿戏剧展中,由香港话剧团在上海大剧院演出的独幕剧《最后晚餐》,以其异常写实的布景,真实而又自然的表演,让我们看到了香港的另一面,一个繁华背后小人物艰辛而又绝望的生存状态。可由于编剧的疏漏,让我的观剧体验留下了遗憾。观众一进剧场,就能看到一个典型的“客厅横截面”式的舞台设计,整个舞台设计就围绕着一个典型的香港社会中下层居民公寓的客厅里来展开:灰漆漆的墙壁上挂着老式的圆形壁钟,下面是杂乱的橱柜;旁边挂着
In this frontier drama exhibition in Edinburgh, the “Last Supper” by the Hong Kong Repertory Theater at the Shanghai Grand Theater, with its unusually realistic scenery and its true and natural performance, shows us the other side of Hong Kong, a prosperous Behind the villain hard and desperate living conditions. Due to the omission of screenwriter, let my viewing experience left regrettable. As the audience enters the theater, you can see a typical “living room cross section” style stage design, the entire stage design around a typical Hong Kong community middle-and-lower residence apartment living room to start: the painted walls Hanging on the old round wall clock, the following is messy cabinets; hanging next to