《古韵今歌》已经播出了,并得到好评。做为拍摄者,能拍摄出令人回味的电视画面内心是惬意的。总结这二年来的拍摄经验,我认为,通过摄像机的寻像器在拍摄外景时,自觉不自觉地会带有个人的感情色彩。面对此时此刻此景此物,心境不同,触景生情产生的联想就不同,那么所拍的画面也就不同,这里所说的“触景生情”我想就是移情。拍摄者倾注全部心血拍摄的作品,观众是会喜欢的。下面我就结合《古韵今歌》的部分镜头从三个方面谈谈在风光艺术片中移情的作用。一、自然风光本身具有的表现性我们所到之处,拍摄那里的古迹也好,自然风光也好,总是从形象——具体的景物开始的,又伴 “Ancient rhyme song” has been broadcast, and was well received. As a photographer, can shoot a memorable TV picture heart is cozy. Summing up the past two years of shooting experience, I think, through the camera’s viewfinder shooting location, consciously or unconsciously with personal feelings. The face of this moment in the face of this thing, the mood is different, touch the association of the situation is different, then the picture taken is different, here talking about “Touch King” I think it is empathy. The photographer devoted all the hard work, the audience will like. Below I will combine the “ancient rhyme song” part of the lens from three aspects talk about the role of empathy in the scenery art film. First, the natural scenery itself has the performance of where we are, where the shooting of the ancient Ye Hao, Ye Hao natural scenery, always from the image - the specific scene began, and with