在中国的古典诗词中,女性一直是文人常写不衰的对象。但宋初杰出词人柳永却能打破以前的温柔敦厚的“等待型”的女性形象描写常规,表现出先进的人道主义女性观。柳永超越自身站在全面人性的立场上来观照以妓女为代表的底层女性的人生,突破了正统思想的局限,以深沉的旋律去敲打世人的灵魂,呼唤着被封建礼教压抑着的人性。 In classical Chinese poetry, women have always been the object of literary writing. However, Liu Yong, an outstanding songwriter of the early Song dynasty, can break the stereotype of the former gentle and dignified “waiting type” female figure and show the advanced concept of humanitarian feminism. Liu Yong transcends the standpoint of humanity from a standpoint of human nature, observes the life of the bottom women represented by prostitutes, breaks through the limitations of orthodoxy, and strikes the soul of the world with deep melody, calling for the human nature suppressed by feudal ethics.