30年前(1977年),在“文化大革命”结束后我国举办的第一次全国美展中,一幅套色木刻《毕业归来》引起大家的注意。这幅版画抓住一个彝族女大学生毕业回乡时下火车的瞬间,以巧妙的构图,熟练的技巧,成功地刻画出一代彝族青年的风姿神采。作者以自己作为人物原型,融入个人的切身体验和独特感受,真实生动,自然绝妙地表现出翻身的彝家女毕业回家的那种 Thirty years ago (1977), in the first national art exhibition held in China after the “Cultural Revolution” ended, a piece of color-colored woodcut “Graduation Return” caught everyone’s attention. This print grasps the moment when a Yi female college graduate returns home for a train nowadays and successfully depicts the grace and grace of a generation of young Yi people with clever compositions and skilled techniques. The author takes himself as a prototype of a character and integrates the personal experience and unique feelings of a person, so vivid and naturally exaggerating the way the graduated Yi family graduated from home