论文部分内容阅读
近来文艺学领域围绕“经典”话题展开了不少讨论。有一种观点认为随着生活审美化、审美生活化的现象越来越普遍,文学审美与日常生活之间的界限越来越模糊,文学经典必将被消解而淡出。针对这一观点,本文指出文学经典是一种由审美生成的有更高人文艺术价值的作品集合;文学经典“消解说”的提出和阐释是有限度的;文学经典是文学原典等。文学经典不但在日常生活中允许被多元化解读,而且集中体现出了文学所拥有的独特思想艺术穿透力,向我们呈现了一种更高水准的艺术审美品味,在我们的审美生活中具有独特地位和价值,因此它是不会被真正消解的。
Recent literary arts around the “classic” topic a lot of discussion. There is a view that with the aestheticization of life, the phenomenon of aesthetic life more and more common, the boundaries between literary aesthetics and daily life more and more ambiguous, literary classics will be digested and fade out. In view of this point of view, this paper points out that literary classics is a collection of works with a higher humanistic and artistic value generated by the aesthetic. There are limits to the proposition and interpretation of literary classics and “digestion theory”. Literary classics are the original texts of literature. Literary canon is not only allowed to be diversified in daily life, but also embodies the penetrating power of the unique ideology and art that literature possesses, presenting us with a higher standard of artistic aesthetic taste and having in our aesthetic life Unique position and value, so it will not be real digestion.