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著名盆景艺术家赵庆泉先生推出的《樵归图》(见贵刊1990·2·插一),首先从题名隐约亮出一个“藏”字,再从时间和空间这两个宏伟的侧面,引导人们去欣赏“露”于盆面的榔榆群体,这就比誉为画中“警句”的《深山藏古寺》要丰满得多,含蓄得多,也更具有美感,是一件欣赏层次较高的作品。这件作品的基调,与作者的其他作品一样,清新、恬静,严谨、自然,较好地体现了壮美与优美的结合。在构图上,保持并发展了《八
The famous bonsai artist Mr. Zhao Qingquan introduced “Qiao Gui Tu” (see your edition 1990.2). First, a title of “Tibetan” was subtly revealed from the title, and from two magnificent aspects of time and space, people were guided To appreciate the “dew” in the basin of the elm group, which is better known as the painting “aphorisms” of the “deep Tibetan temple” to be much more full, more subtle, but also more beautiful, is a higher level of appreciation s work. The tone of this work, like other works of the author, is fresh, quiet, rigorous and natural, which better reflects the combination of magnificent and beautiful. In the composition, to maintain and develop the "eight