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上世纪80年代“思想性和创造性摆在西方大师面前毫不逊色”的中国当代艺术,曾凭借高质量的艺术作品赢得了世人的尊重。但在当代多元的文化背景下,艺术家尽管获得了充分的创作自由,作品却没有获得业界认可,许多艺术家的画作一直处于争议的中心,褒贬不一。近日,浙江大学教授、艺术史评论家河清更是推出《“当代艺术”:世纪骗术》一书,观点鲜明地直指“当代艺术”就是世纪骗术,由此掀起了一场关于“当代艺术”在当下生存状态的讨论。
Chinese contemporary art in the 1980s, “ideologically and creatively placed in the sight of masters of the West,” has won world respect for its high-quality works of art. However, under the current multi-cultural background, artists have not obtained the approval of the industry though they have obtained sufficient freedom of creation. Many artists’ paintings have always been in the center of controversy, with mixed opinions. Recently, a professor at Zhejiang University and an art historian, He Qing, introduced the book “Contemporary Art”: “Century Trickery” and pointedly pointed out that “Contemporary Art” is a century trick, which set off a “Contemporary art ” in the discussion of the state of existence.