久旱盼甘霖,改革开放后迎来了第一个西方大展:法国19世纪农村风景画展。轰动了整个大陆,包括遥远省市的所有美术工作者,都想来一开眼界。有的人没有路费,砸锅卖铁也要赶来京城。但展品限于19世纪及农村风景,而且大都是二三流作品。法国人自己感到并不能代表他们的高水平艺术,故在前言中委婉地说明展品是由中国方面挑选的。我们急于想了解原子弹时代的新科技,展出 For a long time I hope for a long time, after the reform and opening up, I welcomed the first western exhibition: the 19th century rural landscape exhibition in France. All the art workers in the entire continent, including those in far-flung provinces and cities, have been hoping for an eye-opener. Some people have no travel expenses, Zaguomaitie have to rush to the capital. However, the exhibits are limited to the 19th century and rural landscape, but most of them are second and third stream works. The French themselves feel that they can not represent their high level of art, so the euphemism in the foreword shows that the exhibits were chosen by the Chinese side. We are eager to understand the new technology in the atomic bomb era and exhibit it