古代工笔画的白色颜料包括白土、蛤粉、铅粉等。白色颜料和工笔画中的石青、石绿一样,都是被当作重色使用的。白色颜料的运用虽然在绘画中很普遍,但在理论方面的总结中,却很少受到重视。在文人的写意画中,白色颜料的使用,通常是通过画面的留白来表现——即保留纸或绢本身的质地来体现白色。虽然在中围传统的工笔画中有一类也是采用画面留白的方式保留了纸或绢的质地特点,但对白色的处理并不全都如此。白色颜料除做底之外,也用来和其他颜料调和使用。白色颜料做底,强调对不同白 Ancient fine brushwork white pigments include clay, clam powder, lead powder and so on. White paint and strokes of stone, stone green, are used as heavy color. Although the use of white paint in the painting is very common, but in the theoretical summary, it has received little attention. In literati’s freehand brushwork, the use of white paint is usually expressed through the whiteness of the painting - that is, the texture of the paper or silk itself is preserved to reflect whiteness. Although there is a category of traditional strokes in Zhongwei that also preserves the texture characteristics of paper or silk by using the blank screen, this is not always the case for white. In addition to the end of the white paint, but also used to reconcile with other pigments used. White paint to do the end, emphasizing the different white