精致的点心盛在雪白细腻的的瓷盘里,旁边还装饰着绯红的花朵图案;和煦的阳光下,人们悠然地在海边散步—我盯着这两张照片看了一阵,唇边慢慢浮起一个恍然的微笑。这是我的同事WG在微博上发布的照片,摄于3月27日,彼时他正因采访日本9级大地震而身在东京。就在此前,与他同行的摄影记者MQ则从大船渡市发回了一沓宛如世界末日般惨不忍睹的灾难现场图片。同源而反差如此巨大的照片像剪刀的两刃,“咔嚓”一声剪出一道锋利的恍然:在这 Delicate dim sum filled with delicate porcelain dishes, decorated with crimson flowers next to the pattern; the warm sunshine, people leisurely walk by the sea - I stared at the two photos for a while, the lips slowly floating A sudden smile. This is a photograph posted by my colleague WG on Weibo, on March 27, when he was in Tokyo for his interview with a magnitude 9 earthquake in Japan. Just before that, MQ, a photojournalist who accompanied him, sent a picture of a disaster site like the end of the world from the boat ferry. Homologous and contrast such a huge photo like two-edged scissors, “Kacha ” cut out a sharp and suddenly: here