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就“舞台戏曲如何拍成电影”的问题,艺术界一直争论不休。是否由于太忠于戏曲艺术就很难发挥电影特性?还是太“电影化”了就必然有损于戏曲艺术?是原封不动的拍下来对呢?还是不管一切的只求“电影化”对呢?导演石挥从自己拍摄《天仙配》的工作中,提出一些实践体会与看法。
The art scene has been debated on the issue of how stage drama is made into a movie. Is it hard to play the movie because of being too loyal to the art of opera? Or is it too “cinematic” that it is bound to detract from the art of opera? Is it just as it is shot down? “Right? Director Shi Hui from his own shooting” angel match "work, put forward some practical experience and views.