三年前疯狂地追一部韩剧,具体情节早已忘却,但有一幕记忆却尤为深刻:面对失忆的男主角,女主角心痛不能自已,边流泪边猛烈捶打自己的胸口。当时的我十分不理解这个动作,不是心痛吗,不应当轻抚吗,你捶它作甚?现在想来,心中郁结,抚摸远不足以舒其心,只有猛烈捶打才可缓解。编剧写出如此动作,一定是深有体会。我们常用“痛彻心扉”来表达自己的极度悲伤,可有时这四个字又是如此苍白无力。读了十几年书,我所以为最妙的描写出自于杨绛先生的《我们仨》:“我的手撑在树上,我的头枕在手上,胸中的热 Three years ago crazy chase a Korean drama, the specific circumstances have long been forgotten, but there is a scene of memory is particularly profound: the face of memory of the heroine, the heroine heartache can not own, while violently beat his chest. At that time, I did not understand this action very much. Is not it sad? Should not it be stroked? Are you hammering it? Now, my heart is depressing and touching is far from enough to ease my heart. Only violent beating can ease it. Written to write such an action, we must have a deep understanding. We often use ”heartbreak“ to express their extreme sadness, but sometimes these four words are so pale and weak. After reading more than ten years of books, I wrote the most wonderful description of ”We We“ by Mr. Yang Jiang: ”My hand stays in the tree, my head rests in my hand, the heat in my chest