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这篇文章發表在法國“人道報”上,作者F·格雷尼埃是法國共產黨黨員,法國國民议会議員,他經常關心並支持法國進步電影工作者所進行的鬥爭。法國反動政府為了討好它的美國主子,一直在不斷地設法扼殺本國的民族電影。法國政府的出賣民族利益的電影政策使法國電影陷入了嚴重的危機,迫使法國的電影工作者起來為盤o民族電影的生存而進行鬥爭。本年九月,法國政府又宣布了若干新的行政命令,對法國民族電影進行了粗暴的行政干涉,來達到徹底消滅法國民族電影的目的。这個陰謀使法國電影工作者的鬥爭進入了新的階段。格雷尼埃的文章徹底揭穿了法國政府這次行動的真正目的,並且號召全體法國電影工作者起来進行團結一致的鬥爭。读者從本文不僅可以瞭解到法國電影工作者在保護法國民族電影運動中的鬥爭情况,而且也可以看出好萊塢電影的國外市場如何在日趨衰落。
This article, published in the French newspaper The Humanitarian Newspaper, author F. Greyère, a member of the French Communist Party and member of the French National Assembly, often shows his concern and support for the struggle carried out by French progressive filmmakers. The French reactionary government has constantly tried to stifle its own ethnic films in order to please its American leader. The French government’s movie policy of betraying national interests has brought the French film into a serious crisis, forcing French filmmakers to fight for the survival of national films. In September of this year, the French government announced a number of new executive orders and conducted gross administrative interference in French national films in order to achieve the goal of completely eliminating French national films. This plot brought the struggle of French filmmakers into a new phase. The article of Grenier completely exposed the true purpose of the French government’s operation and called on all French film workers to wage united and battling battles. The reader can not only understand the struggle of French cinema workers in the protection of the French national film movement, but also show how the foreign markets of Hollywood movies are declining.